Tuna fishing in Favignana
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Description

Tuna fishing in Favignana

 

enzo-di-franco    

 

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Technical sheet prepared by: Region of Sicily - Department of cultural heritage and Sicilian identity - CRicd: Regional center for inventory, cataloging and documentation and Sicilian regional film library

No. Prog.
145
Bene
Tuna fishing in Favignana
Book
REI - Book of knowledge
Approval date
15-12-2010
Category
Artisan technique
Province
Trapani
Location
 
Common
Favignana
Local denomination
 
Chronological News
The first graphic attestations on the practice of tuna fishing date back to the Paleolithic period. Primitive communities have left on the walls of the "Grotta del Genovese" on the island of Levanzo the memory of a moment of hunting, in which the image of the tuna stands out among other human and animal figures. The first written sources date back, however, to the II AD The third book of the Treatise De Piscatione of Oppiano di Cilicia preserves memory of the complexity with which the rite of tuna fishing has already taken place since then. Oppiano tells us about fishing in the Mediterranean area and describes the ceremonial according to a precise order and hierarchy. In the passage between memory and the practice of the rite, fishing is inextricably linked to the architectural structures of the tuna traps. Among these, in Sicily, that of Favignana is an emblem, the oldest tonnara, today no longer active in its industrial function.
recurrence
Seasonal
Data
From March to July
opportunity
Tuna fishing during their passage along the Mediterranean coasts
Function
 
Actors
The rais is the absolute leader of the crew, who in the exercise of his activity is flanked by two guardsmen, one of the two with the functions of sub-rais. All the rest of the crew is made up of about a hundred men hired for three consecutive months.
A series of employees revolve around various occasional activities that take place on the ground in marfaring.
Participants
Inhabitants of the island, tourists
Description
In the spring season the tunas, in search of new loves, move from the cold waters of the north towards the Mediterranean. Along these routes, in places not too exposed to the currents, the tuna fishermen build cities in the sea, made up of passages, tunnels, atriums and courtyards of nets. The wisdom of the Rais, the head of the community of tuna fishermen, determines the choice of place and directs the complex techniques for the construction of the route and the catching and fishing operations. In this articulated ritual, which in Favignana took place every year in the months of May and June, a fundamental role was played by the equipment and the observance of precise rules. The tonnara of Favignana, which has now become a museum, is one tunnara ô straight which, unlike those said i returns, block the path of tuna as they approach the coast. The complex system of nets that was created was used to make the tuna's path converge towards the last environment, the body, the only one with a bottom, where at the first light of dawn the Slaughter. The moment of fishing involved the entire crew, a hundred fishermen, who took on different names and roles based on the place occupied in the boats. There were thirteen boats in Favignana with different names based on size and function (i vasceddi, go crazy, the protect me, bastards, the gates i guard, la muciara raisi). Once the tuna arrived in body the moment of fishing had begun. The fishing boats formed a square and with long hooked rods the tuna were raised inside the vasceddu the livanti. The moment of fishing represented the culmination of a dramatic gesture, in which the intense red color of the tuna's blood dissolved into the sea. At the time of fishing, the tuna fishermen sang songs and hymns and at closing the Rais would shout again "And always let it be laratu lu nnomu of Ggèsu».
At the end of the ritual, the boats were towed to the marina, while the vasceddu the livanti towards the factory, where a series of interventions were carried out on the fish, for its processing.
REFERENCES
Buttitta, Antoninus. 1988. The forms of work. Traditional crafts in Sicily. Palermo: Flaccovius.
 
Console, Vincent. 1986. Tuna fishing. Palermo: Sellerio.
 
Lo Curzio, Massimo and Rocco Sisci. 1991. Traditional Sicilian tuna and boats. The remains of a culture of the sea, Messina: EDAS.
Sitography
 
Filmography
The last trap. 2001. Sound archive of the Sicilian Region CRICD. Cuccia, Salvo, directed by Vergara, Francesco, coordination and in collaboration with the Superintendence of Cultural and Environmental Heritage of Trapani.
Discography
Guggino, Elsa and Gaetano Pagano, edited by. Sicilian folk music and songs 1 in Work songs. Albatros, VPA 8206, 1974. CD-Rom.
Footnotes
At the turn of the 800th and 1841th centuries, the fishing and tuna processing activity on Favignana weakened. The development of this activity on the island had had a big boost in the mid-XNUMXs, thanks to the Florio family. Vincenzo Florio in XNUMX bought the license to use the Favignana gabelle from the owners of the Egadi. With the exception of brief periods of change of ownership, the tonnara remains linked to this important entrepreneurial family which, with the launch of an industrial processing system, characterized the island's economy until the second half of the last century. The technique and organization of the work found in Favignana will be a model for other Sicilian tuna traps.
Today the Tonnara di Favignana, former Florio factory, is the seat of a Regional Museum. In this place the memory of its function over time, of the relationship with the local community and with the island territory, rich in history and precious archaeological finds, is preserved and reconstructed.
Author Card
Esther Oddo
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