Ratings, Comments and User Experiences
Rate it (1 to 5)
207 Corso Umberto I

Cantori alla Carrettiera


Interview with relative singing "proof" of one of the few carter singers left in Bagheria, a pleasant town in the province of Palermo, famous for the Villa dei Mostri, for the photographer Scianna, for the maestro Guttuso, the writer Maraini and her father and Oscar winner Tornatore. And not forgetting the Poet, Gnaziu who along with Renato liked the singers so much.

Card insertion: Heritage Sicily 

Note : The populating of the cards of the Heritage database proceeds in incremental phases: cataloging, georeferencing, insertion of information and images. The cultural property in question has been cataloged, georeferenced and the first information entered. In order to enrich the information content, further contributions are welcome, if you wish you can contribute by providing information and / or images also through the facebook group "Heritage Sicily"

Visit Sicilian Intangible Cultural Heritage database  to learn about other intangible assets

Visit Data Maps Heritage: Set of databases of the Sicilian Cultural Heritage to know other databases (nature, baroque, archeology, material assets and much more)


Technical sheet prepared by: Region of Sicily - Department of Cultural Heritage and Sicilian Identity - CRicd: Regional Center for the inventory, cataloging and documentation and Sicilian regional film library

Intangible Heritage Register

N. Prog. 33
Well: Cantori alla Carrettiera
Book: REI - Book of expressions
Approval date: 25-01-2006
Category: Musical expression
Province: Palermo
Municipality: Bagheria
Local denomination: The song a la carrittera
The performers of the song are the carters, a now extinct profession, but of which the singing art handed down from voice to voice persists. Even today some children or relatives of elderly carters know how to perform the melodic "carter songs".
The carter was a transporter of goods on behalf of third parties, providing his own means (the cart and the horse, or the mule for the less well-off). Some worked in the employ of a cart owner.
The carters, during the journey for the delivery of goods, stopped for rest or refreshment in thefondaci (sort of taverns scattered along the main transport routes where the carriers e the carters found lodging for themselves and their beasts). Here, therefore, the carters met with others and often, for pleasure, they sang songs and organized singing competitions, challenging whoever knew the best song or who possessed the best cadence. To close each execution there was the so-calledcall, that is, two hendecasyllable lines introduced freely by the cantor to invite another challenger, or the last two lines contained thanks for listening, an apology for a bad performance or indicated the origin of the song or the performer. Even on the occasion of festivals or village fairs, the carter took the opportunity to show off: he barded horse and cart at party, wore traditional costumes and performed with his singing skills. The proudest carters refined their skills by comparing themselves with the most expert masters and therefore handed down a real art, whose expressive code seemed to be known and shared by carters from different countries. Thus the art of the carter singers has come down to us, handed down from voice to voice and kept alive by now by few examples, children or relatives of elderly carters.
This type of chants belong to the defined poetic category jay, composed mostly of 8 hendecasyllables in alternating rhyme, but there are also stanzas of 6-10 lines, rare those composed of 4 or 12. The singing performance requires great skill, powerful and correct voice, melodic freedom is granted but the rhythm always falls within precise metric schemes, even the respiratory articulation (the breath that interrupts the melody) marks precise pauses and gives the singing a refined structural value. The repertoire is drawn from various themes: from the religious text to the love one, from the prisoner's song to the working songs.
CRICD. 2004. Bulletin of the tape library. Events and documents. Curated by Orietta Sorgi. Palermo: CRICD
1991. The carters. Curated by Elsa Guggino. Palermo: Archive of Sicilian folk traditions.
Garofalo G; By Salvo Giovanni; Vaina Pierre (Editor)
2006   Canzuna a la carrittera. The singers of Bagheria (Sicily), from FontiMusicali, Brussels (compact disc fmd 230 with 36-page booklet; texts in French, English and Italian)
Author Profile: Mariangela Riggio
singers at the cart
Information on geolocation and the route to reach the place
View the place with Street View (if any). Relevant only if referring to tangible assets with associated address.
Send a notice to the publisher
[contact-form-7 id="18385"]