The Heritage Project
Objective: Contribute to the enhancement and promotion of the Sicilian and Maltese Cultural Heritage in all its forms from the tangible one (historical-artistic cultural heritage, landscape and natural heritage) to the intangible one (tradition, folklore, art, food and wine, typical crafts)
The main tools of the project are the creation of this web platform “La Sicilia in Rete” and the visual Multimedia Database: Data Maps Heritage.
Archivio Heritage was born in 1995 (First Generation), in its current version (Fifth Generation), constitutes the first “GeoSocial” database of the cultural heritage (tangible and intangible) of Sicily and Malta containing cards of cultural and tourist interest. Each card is accompanied by images and is geolocated, therefore visible on an interactive map with the possibility of identifying the path to reach the identified asset. The database is in turn divided into thematic and territorial databases. (How the Heritage Cultural Archive works)
Note: The migration phase from the fourth generation (Data Maps Heritage) to the fifth generation (Heritage Archive) is currently active, containing more features. We plan to complete the migration in 2020, until then the contents will be visible in the old BD and, gradually, in the new Archive
Why the Sicily Heritage Project was born
“In great things even having wanted is enough” Sesto Properzio
Sicily is our land, full of sun and sea, of migrants and broken dreams. This land often offended, raped, repudiated, owes its historical and artistic cultural heritage to the contact, not always harmonious, with many peoples: Sicans, Siculians, Greeks, Romans, Byzantines, Arabs, Normans, Swabians, French and Spaniards. The result is there for all to see: the countless necropolises scattered throughout the Sicilian territory, the grandiose temples of Agrigento, Segesta and Selinunte, the splendid mosaics of the Roman Villa del Casale in Piazza Armerina, the superb Duomes of Palermo, Cefalù and Monreale , the Sicilian Baroque and much more, testifying to a past to be proud of, full of faith and love for beautiful things.
It is known to all that Sicily has an immense cultural heritage, especially if seen in all its forms from the tangible (historical-artistic, landscape and natural cultural heritage) to the intangible one (tradition, folklore, art, food and wine, typical craftsmanship ).
Without speaking of percentages, linked more to clichés than to anything else, there is no doubt that Sicily is the region with a very high presence of cultural heritage; of the 54 Italian World Heritage Sites, as many as 7 are in Sicily, and in the coming years they could increase, if we consider that other sites are present in the list of candidate sites (Tentative list) for inclusion in the World Heritage list of Humanity.
Of the 10 Italian Unesco sites known as “Global Geoparks” 2 are in Sicily: Rocca di Cerere Natural Park and Madonie Regional Natural Park.
Sicily also contains a very rich Intangible Heritage, this is evident not only from the presence of 3 Unesco sites of intangible type ("Opera dei Pupi", "The sapling vine of Pantelleria", and, together with other regions and nations, "La Mediterranean Diet ") but by the presence of about 200 assets in the Register of Intangible Heritage of Sicily (REIS) and about 700 places included in the Register" The Places of Identity and Memory (LIM). This data is expected to grow significantly with the next few entries.
If we also consider that our Enogastronomic Heritage is also included in the Cultural Heritage, we must take into account over 300 products including recipes and agri-food products (DOP, IGP, TSG and PAT).
There are many aspects involved for a correct promotion of the territory (protection, information, infrastructures, safety, usability, etc.), the concept of the tourism supply chain should also be significantly applied: the tourist should enjoy our historical-artistic and naturalistic assets and at the same time enjoy our traditional products, learn about our folklore, our history, our myths. To enhance our territory it would also be useful for some actors, in particular those who manage public affairs, to learn to look beyond their nose, waiting for this to happen, each of us could still do something. Paraphrasing John F. Kennedy we could say: Let's not ask ourselves what the state can do for Sicily, but what we can do for Sicily. If each of us put in a little of his own, if we partially stripped ourselves of our excessive individualism and joined our forces, we would discover that we can do a lot for Sicily. For example, we can think of activating initiatives that favor tourism in our territory, initiatives that, if well conducted, can contribute, not only to the economic awakening of Sicily (through the increase of cultural tourism and as a multiplying factor of the other economies of the territory) but which will allow us to live our Sicilianity with greater harmony and pride, and perhaps discover that we can enrich ourselves, at least inside.
I have lived for about 30 years of my life outside Sicily and I have often heard unflattering judgments about Sicily and the Sicilians, I have suffered a lot for this, so for years I have felt a strong need to tell about my Sicily. If this project is successful, and if others like it come, there will be less and less space for those who see our land through monotonous stereotypes.
On these premises the Sicily Heritage Project was born, carried out for many years by me and by the Helios Study Center, which I am honored to direct.
I strongly believe in this project to the point of putting myself on the line, it is not the first time that I do this for the things I believe in, as evidence of this I have decided to integrate the attached project with some notes of reflections in which I make public my curriculum is the standard one and the "non-standard" one out of the usual schemes and formalisms but as real as my love for my land is real.